Embedded Files
143. April 30, 2025: 10-13h: Doctoral lesson by Alfonso Galindo Hervás (University of Murcia), On the Relationship between Art and Politics. Three Case Studies.
142. April 29, 2025, 16-19h: Doctoral lesson by Alfonso Galindo Hervás (University of Murcia), Transitional Justice; Political Iconology; Postmemory.
141. April 28-29, 2025: RTL Workshop "Pratiche estetiche e forme di vita urbana" with Matilde Carrasco (University of Granada), Antonio Rivera (Complutense University, Madrid), Alfonso Galindo Hervás (University of Murcia), Stefano Velotti (Rome 3 University), Roberto Mastroianni.
140. April 15, 2025, 10-13h: Doctoral lesson by Matilde Carrasco (University of Granada).
139. March 19, 2025, 10-13h: Workshop on the book La mediazione tecnologica della voce edited by Michela Garda, with Alessandro Bertinetto, Pietro Cavallotti, Giacomo Albert, Gabriele Marino and the author.
138. March 11, 2025, 11h: Magda Polo Pujada (University of Barcellona), Filosofia della musica: musica concettuale ibrida.
137. March 5, 2025: Tullio Viola (Maastricht University), Habits and Spontaneity: Some Roads Less Taken.
136. February 27, 2025: S.C.K. SURVIVOR COVERTURE KIT, workshop/performance by Beñat Krolem (Universidad del País Vasco / Euskal Herriko Unibertsitatea).
135. February 25, 2025, 16-18h: Giacomo Pezzano (Università degli Studi di Torino), Si può filosofare tramite YouTube? Il pensiero audiovisivo dal cinema al web.
134. November 8, 2024, 18h: Presentazione del libro AbiTo. Abitudini estetiche e arte pubblica. Il caso Torino, with Enrico Lusso, Elisabetta Di Stefano, Roberta Dreon.
133. November 8, 2024, 11h: Elisabetta Di Stefano (Università degli Studi di Palermo), Tactical Urbanism Between Design Culture and Public Art. A Case of "Artification"?.
CLICK HERE FOR THE RECORDED TALK
132. October 30, 2024, 15h: Gregorio Tenti (Pompeu Fabra University of Barcelona), Scrittura e realtà nell'epoca dell'estinzione.
CLICK HERE FOR THE RECORDED TALK
131. May, 27. 2024, h 18: Judith Siegmund (Zürcher Hochschule der Kunste), The European claim to universalism in aesthetics and the collectivity of Documenta 15. Reflection on the German debate.
CLICK HERE FOR THE RECORDED TALK
130. May, 23. 2024, h 10.30: Roberta Dreon (Università Ca' Foscari, Venice), John Dewey sugli abiti. Una visione d'insieme.
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129. May, 21. 2024, h 16: Elisabetta Buffa (PHOS, Torino), L'estetica di Luigi Ghirri.
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128. May, 20. 2024, h 16: Maria Cristina Strati (Torino), Ironia, montaggio e questioni di genere nell’opera di Hannah Höch.
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127. May, 15. 2024, h 16: Chiara Cappelletto (Università Statale, Milan), Brain images e visualità cyborg.
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126. May, 8. 2024, h 16: Angelo Candiano (IED, Torino), La logica della luce nel sistema complesso della fotosofia 1986-2024.
CLICK HERE FOR THE RECORDED TALK
125. April, 16. 2024, h 16: Jaroslava Vydrova (Slovak Academy of Sciences), Phenomenological Approach to the Work of Art (Phenomenology and Cubism).
124. February, 28. 2024, h 14: Chiara Bottici (The New School for Social Research, New York), Per una mitologia femminista.
123. January, 24. 2024, h 17: Maddalena Borsato (University of Gastronomic Sciences, Pollenzo), Pervasive Sweetening. Aesthetic Sweeteness in Everyday Experience.
CLICK HERE FOR THE RECORDED TALK
122. December, 20. 2023, h 15:20: Paolo Furia (Università di Torino), The substantivity of landscape. Learning from the Andes.
CLICK HERE FOR THE RECORDED TALK
121. November, 15. 2023, h15: Elena Mancioppi (University of Gastronomic Sciences, Pollenzo), Osmospheres: How Smells Have Infiltrated Aesthetics and the Arts.
CLICK HERE FOR THE RECORDED TALK
120. October, 24. 2023, h 16, Simon Rose (Berlin), Relational Improvisation in Music, Dance and Contemporary Art. Experience, Collaboration and Transdisciplinary.
119. October, 11. 2023, h 15, Elisa Caldarola (University of Turin): Affective Installation Art.
CLICK HERE FOR THE RECORDED TALK
118. September, 27. 2023, h 18, Maria Filomena Molder (Universidad Nova de Lisboa): La differenza tra l'essere che dice sempre di no e l'essere che contraddice se stesso.
CLICK HERE FOR THE RECORDED TALK
117. June, 16. 2023, AbiTo - Aesthetic Habits Turin II. Perspectives from the Artworld. Workshop organized by ART. Il workshop è realizzato nell'ambito dell'iniziativa "RTL | Research Temporary Lab" del Dipartimento di Filosofia e Scienze dell'Educazione dell'Università di Torino.
116. June, 15. 2023, h 16, Pol Capdevila Castells (Universitat Pompeu Fabra, Barcelona), The Complex Experience of Time in Cinema Through Mood
115. May, 23/24. 2023, AbiTo - Aesthetic Habits Turin. Street Art and Aesthetic Forms of Life. Workshop organized by ART and arteperstrada Torino. Il workshop è realizzato nell'ambito dell'iniziativa "RTL | Research Temporary Lab" del Dipartimento di Filosofia e Scienze dell'Educazione dell'Università di Torino.
114. May, 17. 2023, h 18, Alva Noë (Berkeley University), Strange Tools. The event is part of the project on "Aesthetic Practices" sponsored by SIE | Società Italiana di Estetica.
CLICK HERE FOR THE RECORDED TALK
113. May, 10. 2023, h 18 Nuno Fonseca (IFILNOVA, Lisboa), Music in the Art Gallery or Music Turning Up as (Sound) Art.
CLICK HERE FOR THE RECORDED TALK
112. May, 4. 2023 Richard Shusterman (Florida Atlantic University), (1) Aesthetic Experience at the Borders of Art and Life (Talk); (2) Philosophy as a Way of Life – On Camera (documentary/video talk). The event is part of the project on "Aesthetic Practices" sponsored by SIE | Società Italiana di Estetica.
CLICK HERE FOR THE RECORDED TALK
111. April, 27. 2023 Giacomo Croci (FU Berlin/Immanuel Klinik Rüdersdorf), Through a Glass Darkly: Artefactual Obscurity and Aesthetic Intelligibility.
CLICK HERE FOR THE RECORDED TALK
110. April, 20. 2023 Hanne Appelqvist (Helsinki Collegium for Advanced Studies) : On Wittgenstein's "problem whether statements of aesthetics are subjective or objective" as part of the PHD course on aesthetic normativity held by A. Bertinetto and S. Feloj. CLICK HERE FOR THE RECORDED TALK
109. March, 22. 2023 Roberto Castello (ALDES), Nel migliore dei mondi possibili. The event is part of the project on "Aesthetic Practices" sponsored by SIE | Società Italiana di Estetica.
CLICK HERE FOR THE RECORDED TALK
108. March, 21. 2023 Claire Anscomb (De Montfort University, Leicester, UK), AI: Artistic Tool or Collaborator? ,
CLICK HERE FOR THE RECORDED TALK
107. March, 15. 2023 Nicola Perullo (University of Gastronomic Sciences, Pollenzo): Perché un'estetica senza (s)oggetti? The event is part of the project on "Aesthetic Practices" sponsored by SIE | Società Italiana di Estetica.
CLICK HERE FOR THE RECORDED TALK
106. March, 8. 2023 Aviv Reiter (Humboldt Universität zu Berlin), The Question of Artistic Mannerism: Freedom and the Constraint of Rules in Vasari, Bellori and Kant. In collaboration with the seminar "Kant, oltre Kant".
CLICK HERE FOR THE RECORDED TALK
105. March, 1. 2023 Arto Haapala (University of Helsinki), The Lure of the Familiar: The Existential and Aesthetic Importance of Routines and Habits
CLICK HERE FOR THE RECORDED TALK
104. February, 28. 2023 Simone Furlani (University of Udine), Andrea Gotti (Berlin), Sul segno: l'estetica di Andrea Gotti. The event is part of the project on "Aesthetic Practices" sponsored by SIE | Società Italiana di Estetica.
CLICK HERE FOR THE RECORDED TALK
103. February, 22. 2023 Emmanuel Alloa (Université de Fribourg), Partizioni della prospettiva. Difendere il plurale in epoca di post-verità, Palazzo Nuovo, Aula 9, and online. The event is part of the project on "Aesthetic Practices" sponsored by SIE | Società Italiana di Estetica.
CLICK HERE FOR THE RECORDED TALK
102. February, 15. 2023, Jacopo Frascaroli (University of York), Engineers of the Human Soul: The Moral Responsibility of Artists and Designers.
CLICK HERE FOR THE RECORDED TALK
101. January, 11. 2023, h 6pm Rex Gilliland (Southern Connecticut University), Varieties of Creativity in Art
CLICK HERE FOR THE RECORDED TALK
100. December, 16. 2022 h 3pm, Vitor Moura (Universidade do Minho), Fiona Apple’s Drumsticks and the Aesthetics of Recorded Sound.
CLICK HERE FOR THE RECORDED TALK
99. December, 09. 2022 h 6pm, Ralf Müller (University College Cork), Metamorphosis and Translation.
98. November, 23. 2022 h 6pm, Paolo Petazzi (Conservatorio di Milano), Presenza di Alban Berg.
CLICK HERE FOR THE RECORDED TALK
97. November, 16. 2022 h 6pm, Adrián Kvokačka (University of Prešov), To Be Engaged or Not to Be (An Art)
CLICK HERE FOR THE RECORDED TALK
96. October, 26. 2022 h 6pm, Kristupas Sabolius (University of Vilnius), On Non-human Imagination
95. October, 19.2022, h 6pm Marco Trisciuoglio (Politecnico di Torino), What we talk about when we talk about Urban Morphology?
CLICK HERE FOR THE RECORDED TALK
94. October, 11. 2022 Red Sea – Read Square – Red Thread. A Philosophical Detective Story - Presentation and discussion seminar starting from the book by LYDIA GOEHR (Columbia University), with LUISA SAMPUGNARO (Università di Torino) and FEDERICO VERCELLONE (Università di Torino) Chair: Giuliana Ferreccio (Università di Torino)
93. July, 5. 2022 ART SEMINAR Final Workshop 2021/22. Paolo Furia (University of Turin), Spaesamento: un'estetica dei luoghi; Carlo Serra (University of Calabria/University of Turin): La costituzione del momento ritmico fra Husserl e Bachelard
92. June, 17. 2022: Aimaro Isola (Politecnico di Torino), Archetipi abitati, Polo del '900.
91. June 13.-16. 2022: HUMBOLDT-KOLLEG: AESTHETIC HABITS
University of Turin (Auditorium Aldo Moro), Rivoli Castle (Museum of Contemporary Art), Certosa 1515 Avigliana
Locandina Aesthetic Habits.pdf
90. May, 19, 2022 h 6 pm. PHOS, via Giambattista Vico 1 Quinto appuntamento del ciclo In the Making. Artisti e filosofi a confronto su scienza e tecnologia. Alessandro Sciaraffa dialogherà con Sara D'Alessandro (curatrice) e Francesca Perotto (dottoranda FINO). Modera Alessandro Bertinetto (Università di Torino).
89. May, 17. 2022 Lorenzo Bartalesi (Scuola Normale Superiore, Pisa): Experiencing agency: aesthetic cognition and modes of existence of cultural artefacts. The case of the Northwest Coast transformation masks.
CLICK HERE FOR THE RECORDED TALK
88. April, 27. 2022 Kalle Puolakka (University of Helsinki): The Varieties of Intimacy in Literary Reading.
CLICK HERE FOR THE RECORDED TALK
87. April, 20.2022 Jenny Ponzo (University of Turin): The accessibility of the sacred body in Catholic art and culture, Palazzo Nuovo, aula 14 & online.
CLICK HERE FOR THE RECORDED TALK
86. April, 12. 2022 h 6 pm Thi Nguyen (University of Utah): Art as a Constructed Shelter from Science.
CLICK HERE FOR THE RECORDED TALK
85. April, 7. 2022 In the Making: Michelangelo Pistoletto - Galleria D'Arte Moderna (Torino).
84. April, 7. 2022 Alessandro Sarti: Deleuze e l'estetica - Palazzo Nuovo (Torino).
83. March, 30. 2022. Gregorio Tenti (FINO) -, Palazzo Nuovo (Torino): Esperienza estetica e biofilosofia nel pensiero francese del secondo Novecento.
CLICK HERE FOR THE RECORDED TALK
82. February, 24. 2022In the Making: Danilo Eccher & Alfredo Jaar - Fondazione Merz (Torino).
81. February, 23. 2022 Francesca Perotto (FINO): Filter Bubbles. Arte e Mondi Digitali.
80. February, 16.-17. 2022 The Formerly AngloGerman Now Global Picture Group (in collaboration with Mumble).
79. February, 10. 2022 Zoltan Somhegyi (Károli Gáspár University of the Reformed Church in Hungary, Budapest): The Birth, Life and Possible Afterlives of Ruins. Aesthetics, Experience and Issues of Conservation around Architectural Decay.
78. February, 9. 2022 In the Making: Leonardo Distaso, Salvatore Tedesco e Marzia Migliora - Palazzo Carignano (Torino).
77. January, 26. 2022: Mariagrazia Portera (University of Florence): Beauty is a habit(us). How the human aesthetic develops.
CLICK HERE FOR THE RECORDED TALK
76. January, 12. 2022: Adam Andrzejewski (University of Warsaw):Theatrical Scripts, Ontology, and Aesthetics.
CLICK HERE FOR THE RECORDED TALK
75. December, 21. 2021 Federico Petrucci (University of Turin): The Epistemological Status of Music in Plato's Timaeus.
CLICK HERE FOR THE RECORDED TALK
74. December, 16. 2021 Presentazione di Estetica dell'improvvisazione di Alessandro Bertinetto. Interventi di Nicola Perullo, Carlo Serra, Pietro Cavallotti. Presiede Federico Vercellone. Circolo dei Lettori, Torino.
73. December, 14 2021 Matilde Carrasco, Performative Beauty - Lecture at A. Bertinetto's course on Estetica delle arti performative (Master Degree in Philosophy, University of Turin). Palazzo Nuovo, Aula 11 & Online.
CLICK HERE FOR THE RECORDED TALK
72. December, 15. 2021: Paolo D'Angelo (University Roma 3), Palazzo Carignano, Torino.
71. December, 10 2021 Presentazione di Il nuovo mondo estetico di G. Pagliasso e E.M. Di Palma. Con F. Vercellone, M. Carrasco e A. Bertinetto. Accademia Albertina, Torino.
70. November, 24. 2021 Roger Pouivet (Université de Lorraine): Why Men Need the Aesthetic Virtues.
CLICK HERE FOR THE RECORDED TALK
68. October, 27. 2021 Amalia Salvestrini (FINO): L'artefice delle forme. Un percorso morfologico tra Bonaventura da Bagnoregio, Leon Battista Alberti e Leonardo da Vinci
CLICK HERE FOR THE RECORDED TALK
67. September, 21. 2021 Matilde Carrasco (Universidad de Murcia): Bridled Anger. On Beauty's Political Value.
CLICK HERE FOR THE RECORDED TALK
66. September, 16 2021: International Workshop: Hermeneutics: New Perspectives
65. June, 16. 2021 Gerard Vilar (Universitat Autonoma de Barcelona): Aesthetics and Artistic Research
CLICK HERE FOR THE RECORDED TALK
64. May, 26. 2021: Laura Follesa (Autonomous University of Barcelona): Universe, Music and Souls: The Notion of Harmony in Schelling and Herder.
CLICK HERE FOR THE RECORDED TALK
63. May, 20. 2021 Workshop: AESTHETIC HABITS Alessandro Bertinetto, Federico Vercellone, Gaetano Chiurazzi, Georg Bertram, Giovanni Matteucci, Emmanuel Alloa, Adam Andrzejewski, Tullio Viola, Paolo Furia, Mariagrazia Portera, Gioia Laura Iannilli, Laura Candiotto, Roberta Dreon, Emanuele Arielli
CLICK HERE FOR THE RECORDED TALKS: First Part; Second Part; Third Part.
62. May, 5. 2021: Antonio Rostagno (University Rome "La Sapienza"): L’analisi musicale e i rischi della reificazione. Orizzonti filosofici ed epistemologici dell’analisi musicale nel ventesimo secolo.
CLICK HERE FOR THE RECORDED TALK
61. April, 15. 2021: Workshop on N. Perullo (University of Gastronomic Sciences, Pollenzo): Estetica ecologica: Percepire saggio, vivere corrispondente (Mimesis 2020). With Gianluca Cuozzo and Gregorio Tenti.
CLICK HERE FOR THE RECORDED TALK
60. April, 8. 2021: Massimiliano Gioni, "Europa e America"
59. April, 7. 2021: Pier Alberto Porceddu Cilione (University of Verona): The Musical Dynamic of Meaning
CLICK HERE FOR THE RECORDED TALK
58. March, 31. 2021: Andy Hamilton (University of Durham): The Canon and the Test of Time: defending subjective universality in aesthetics
CLICK HERE FOR THE RECORDED TALK
57. March, 24. 2021: Georg Bertram (Freie Universität Berlin): Rethinking Hegel's Modern Conception of Art.
CLICK HERE FOR THE RECORDED TALK
56. March, 17. 2021, Mauro Carbone (Université “Jean Moulin” Lyon 3) We’ll Show You (Who We Are): Screens and us after one year of Pandemic (Discussant: Juan Carlos De Martin; Turin, Politecnico)
55. February, 24. 2021: Ludovic Duhem (École Supérieur d'Art et de Design d'Orléans, École Supérieure d'art et de Design de Valenciennes, ENSCI) Phytoculture. A philosophical fiction about techno-aesthetics in the plant world.
CLICK HERE FOR THE RECORDED TALK
54. February, 10. 2021: Enrico Terrone (University of Genova - FINO) The Appreciation Game. A Monist Ontology of Works of Art.
CLICK HERE FOR THE RECORDED TALK
53. January, 27. 2021: Marta Benenti (University of Turin) Music, emotions, and secondary meaning.
CLICK HERE FOR THE RECORDED TALK
52. January, 13. 2021: Jakub Stejskal (University of Basel), What Is an Image Format?.
CLICK HERE FOR THE RECORDED TALK
51. December, 16. 2020: Mario Kumekawa (Keio University,): Goethe’s Theory of Colors and Traditional Japanese Dye.
CLICK HERE FOR THE RECORDED TALK
50. In cooperation with the Spanish research projects: Aesthetic experience of the arts and the complexity of perception (FFI2015-64271-P) & Normative Aspects of Aesthetic Appreciation (PID2019-106351GB-I00)
Aesthetic reasons: what they are not and what they might be.
CLICK HERE FOR THE RECORDED TALK
49. December, 9. 2020: Adam Andrzejewski / Marta Zaręba (University of Warsaw):
48. November, 25. 2020, 4 Maria José Alcaraz Leon (Universidad de Murcia): Imagining in Fiction beyond Make-believe
47. November, 11. 2020: Stefano Marino (Università di Bologna): Improvisation in Pop-Rock Music CLICK HERE FOR THE RECORDED TALK
46. October, 28. 2020: Tullio Viola (Max-Weber-Kolleg, Erfurt): Edgar Wind on Symbols and Memory. Pragmatist Variations on a Warburgian Theme CLICK HERE FOR THE RECORDED TALK
45. October, 14. 2020: Serena Feloj (Università di Pavia): Aesthetic Normativity: a Regulative Model :--In cooperation with the Spanish research projects: Aesthetic experience of the arts and the complexity of perception (FFI2015-64271-P) & Normative Aspects of Aesthetic Appreciation (PID2019-106351GB-I00) - CLICK HERE FOR THE RECORDED TALK
44. June, 30. 2020: Anglo German Picture Group Webinar 2020: Emmanuel ALLOA (Fribourg): Jasper’s Dilemma; John KULVICKI (Dartmouth): Depicting Properties’ Properties CLICK HERE FOR THE RECORDED TALK
43. June, 17. 2020: Jean-Jacques Wunenburger (Université Jean Moulin Lyon3): "Vers une esthétique post-artistique ?" CLICK HERE FOR THE RECORDED TALK.
42. June, 10. 2020: Vittorio Gallese (Università di Parma): Habits, social practice and symbol-making. A just-so story. CLICK HERE FOR THE RECORDED TALK.
41. June, 3. 2020: Daniel Martin Feige (Stuttgart, Hochschule für Gestaltung), Art and Design as Forms of the Aesthetic. CLICK HERE FOR THE RECORDED TALK.
40. May, 20. 2020: Santiago Zabala (ICREA/Pompeu Fabra University), Emergency Aesthetics: Art, Philosophy, and Hermeneutics. CLICK HERE FOR THE RECORDED TALK
39. May, 13.2020: Guido Zuliani (Cooper Union, NY): One Life. But we are not the same. Observations on the architectural oeuvre of John Hejduk. CLICK HERE FOR THE RECORDED TALK
38. May, 6. 2020: Emmanuel Alloa (Université de Fribourg, Switzerland): Il tempo spazializzato. Sul concetto di Time Axis Manipulation. CLICK HERE FOR THE RECORDED TALK.
37. February, 14. 2020: Rossano Pecoraro (Universidade Federal do Estado do Rio de Janeiro): Identity and Revolt Aesthetics (and Politics) in Twentieth Century Latin American Philosophy.
36. February, 7. 2020: Tonino Griffero (Università di Roma Tor Vergata): Presentation of Places, Affordances, Atmospheres. A Pathic Aesthetics. With Carlo Brosio (Centro Torinese di Psicanalisi), Claudio Arnetoli (Centro Torinese di Psicanalisi), Alessandro Bertinetto (Università di Torino), Federico Vercellone (Università di Torino).
35. January 31. 2020: In the Making. Artisti e filosofi a confronto su scienza e tecnologia: Elio Franzini (Università di Milano) - Gilberto Zorio (artista).
34. January 22. 2020: Giovanni Matteucci (Università di Bologna), La percezione estetica come prassi della mente estesa
33. January, 17. 2020: PIC Students' Workshop on Aesthetic Authenticity: Leonardo Pietropaolo, Alessandra Lanivi, Francesco Roletti. Discussant: Adam Andrzejewski (Uniwersytet Warszawski).
32. January, 15. 2020: Gianfranco Soldati (Université de Fribourg): Apparenze e illusioni.
31. January, 14 2020: Adam Andrzejewski (Uniwersytet Warszawski), The Ontology of Atmospheres.
30. January 13. 2020: Adam Andrzejewski (Uniwersytet Warszawski), Improvisation and Everyday Aesthetics.
29. January 10.2020: Francesca Ferrando (New York University), Philosophical Post-Humanism.
28. January 08. 2020: Francesco Valagussa (Università San Raffaele, Milano), Hegel e il tramonto dell'idea di imitazione.
27. December 17. 2019: Thiago Santoro (Universidade Federal de Goiàs), Aesthetic Phenomenology of Jazz as Audiotactile Music.
26. November 20. 2019: Presentazione del libro di Salvatore Tedesco: Fuoco Pallido. W.G. Sebald: L'arte della trasformazione (Meltemi), con Elena Agazzi (Università di Bergamo) e Federico Vercellone (Università di Torino).
25. October 24. 2019: Elisa Caldarola (Università di Padova), When The Museum Is The Artwork.
24. September 16. 2019: Francisca Perez Carreño (Universidad de Murcia), The aesthetic use of imagination in artistic interpretation.
23. June 19. 2019: Pedro Medina, Culture Project: Artistic Status, Authorship and Materialization.
22. June 03. 2019: Lydia Goehr, Painting in Waiting. Prelude to a Critical Philosophy of History and Art (ART-Labont Seminar).
21. May 27. 2019: Viviana Patti, ArsEmotica: Emotions Evoked by Art in Online Collections.
20. May 13. 2019: Richard Shusterman, Aesthetic Experience and the Powers of Possessions.
19. April 29. 2019: Jean Petitot, Il principio geometrico di non-genericità nella composizione pittorica.
18. April 02. 2019: Jürgen Trabant, Trasporto. La metafora come origine della conoscenza in Giambattista Vico.
17. March 25. 2019: Adam Andrzejewski, Aesthetic Eating and Authenticity.
16. March 18. 2019: Emanuele Arielli, "Acting in" and the boundary between image and object.
15. February 25. 2019: Lisa Giombini, Too Good to be True. Music, plagiarism and the ‘Hatto Scandal’.
14. February 19. 2019: Nicola Perullo, From touch to haptic: the experience of authenticity.
13. Double session, January 14. 2019: Giorgia Cecchinato: The duty to agree and the necessity to disagree. On Kant’s concept of sensus communis in the “Critique of Aesthetic Judgment”; Walter R. Menon Jr.: The artworld or the primacy of fiction.
12. December 17. 2018: Pier Giuseppe Monateri, Il sublime politico.
11. December 04. 2018: ART/LLC Workshop: Belief and Imagination.
10. December 03. 2018: David Davies, Artistic value(s) and the value of art: a non-aestheticist account of artistic value.
9. November 26. 2018: Federico Ferraguto, Analogies. Art, language and Philosophy in Fichte and Schelling.
8. November 14.2018: Giovanni Matteucci, The aesthetic dimension: mind, world, or experience?
7. October 17. 2018: Elvira Di Bona, A Comparison between Musical and Ordinary Auditory Experience.
6. October 08. 2018: Dominique McIver Lopes, Being for Beauty. Workshop with G. Bertram, A. Voltolini, M. Benenti, P. Furia, G. Tenti, C. Barbero.
5. September 06. 2018: Patrick Grüneberg, What makes a successful image? Considering a heterarchy of final purposes.
4. July 02. 2018: Robert T. Valgenti, Improvisation and Interpretation.
3. June 07. 2018: A. Voltolini, L. Wiesing, R. Nino-Mion, F. Vercellone, Aesthetics and Phenomenology (LLC-ART Workshop).
2. May 15. 2018: Christoph Wulf, Mimesis and Imagination between Aesthetics and Anthropology.
March 9. 2018: Richard Shusterman, Winckelman on Taste.
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